Nat “King” Cole was born on March 17, 1919 in Montgomery, Alabama. He was a popular musician from the 1940’s to the 1960’s. His unique honeyed voice, showmanship and piano playing ability made him well loved by fans globally.
This talented pianist was the son of a Baptist preacher named Edward James Coles. He changed his last name from Coles to Cole as his stage name. His mother’s name was Perlina Adams. She directed the church choir and sang soprano.
Although he was born in the south, his family eventually moved to Chicago where he was raised. His musical talent started to become evident as early as age four. He began to play the organ for the church at age eleven and organized and led a band during high school. He sang and played piano for his high school’s 14 piece band.
Nat had one marriage to a woman named Nadine that ended in divorce. He then met the love of his life, Maria Ellington, in 1947 and married her within a year. She was also a singer and they met while performing at the same club in New York. Nat and Maria had a happy marriage and five children. Musical talent was inherited by his offspring, as well. One of his daughters, Natalie, was also a vocalist and musician.
In 1956, the “Nat King Cole” show was launched on television. It was popular with many and had impressive guests such as Mel Torme and Ella Fitzgerald. Unfortunately, even with its large audience, it ended after only a year due to the lack of advertisers willing to stand behind a black celebrity. He is quoted as saying “Madison Avenue is afraid of the dark”.
His voice was probably his hottest commodity. It has been compared to velvet and is said to be simultaneously soothing and alluring. His piano playing talents are renowned, as well. He formed and led the King Cole Trio with a bassist and guitarist, who were known for their flair with swing music. The guitarist was Oscar Moore and the original bassist was Wesley Prince. Prince eventually left the trio and was replaced by Johnny Miller.
The man’s records sold like wildfire. He recorded voice, piano in solos, trios and backed by orchestras. Even though some of his jazz fans were unhappy about it, he eventually focused on singing and left his piano work on the sidelines. His records were consistently high sellers.
Cole was a kind man as well as a talented one. Unfortunately, he died young and left many heartbroken friends, family and fans. At the age of forty-five, Nat “King” Cole died of lung cancer. The date was February 15, 1965.
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Every marathon starts with a step. A corny cliché? Probably. But within every cliché is a kernel of truth. And before you become a nationally known recording artist, you have to build the right career foundation.

The first step is to build your local fan base. So perform wherever and whenever you can. Play showcases at music clubs. Seek out open mike nights. Plan your own showcase. Offer to play a free gig and a local club and send out invitations to all your friends. Wherever you perform, get as many people to attend as possible. So post the event on Facebook. Send out a Tweet.

Look for jobs that promote your music and that put you in contact with music industry professionals, such as a studio backup singer. Get an agent and have them send you out on auditions to be a commercial jingle singer. Not only are these jobs good ways to mingle, they pay well, too.

Hone your songwriting skills. While talented singers and musicians are always a sought after commodity, those who write their own material are especially prized. Being a singer songwriter doubles your chances on getting signed by a label. Many successful recording artists began by writing songs for other well-known singers.

Promote yourself virally. Create a fun, user-friendly web site then rent a professional digital recorder and make a high-quality video to upload onto your site. Again, use Facebook, Twitter and other social networking sites to promote your video.

Once you have built up a following, both local and online, it’s time to get a record deal. Start by preparing a promotional package. Get a professional headshot taken, make copies of any reviews you might have and write a brief but engaging cover letter introducing yourself.

The most important part of your package is a demo. If you write your own songs, record those. If you cover songs, select songs that best showcase your voice as opposed to picking a song because it’s popular. And never try to sound like anyone else; trust in your own style.

When meeting with a label, be mindful of your appearance. First impressions are important. And most importantly, be positive and professional. Show them you are artistically and personally ready to be a national recording star!
You do not have to sell your soul to learn how to write songs or to get a record deal. Visit our sites for more great free information just like this &

How to make 100,000 beats in less than 10 minutes.
Can you make 100,000 beats in less than 10 minutes?
Sometimes when you’re in the studio or with an artist and the creative juices are flowing and you have to start making music NOW!
The problem is, by the time you get around to laying down a beat, drum tracks, and some bed tracks and a few vocal licks here or there, the inspiration can be long dead, you may even be wondering what you were trying to capture in the first place.
One technique I recommend to all of the Guerilla Producers out there is to have a library of stock beats and loops ready to go for when those hard-to-get creative moments arrive.
Instead of trying to fumble with a beat maker in the heat of the moment, why not just pick a beat in your library that will work and start capturing your priceless creativity?
I have 1000’s of my favorite beats and loops that I keep at my fingertips for such occasions and they serve me well.
When I recently transferred my studio onto my new computer, I left my library of beats and loops behind, and boy, was I sorry. The mistake of not having any loops squandered nearly 2 albums worth of great ideas because I didn’t have my beats ready to go.
Of course, laying down a library of beats in advance by yourself can take hours and hours if you are fast, if you’re slow it could take weeks, months, or years and you still haven’t made any real music! Not to mention organizing and archiving your work could be an endless task.
If you wanted to archive, you would become a librarian, not a producer.
What if you could have 100,000 royalty-free beats and loops, well made, well organized and ready to go for when you are ready to make music?
What if you could download all of these beats with the click of a mouse?
Let someone else do the dirty work and slave away while they put the beats together, organize and archive them. While that person is at it, why don’t they just leave all of that work well organized and ready to go at your fingertips.
You are a creative person! right? You should be creating, orchestrating and putting the track together, not slaving away trying to get the beat right when you have a killer idea or artist ready to go.
Of course there is a way to make 100,000 beats in less than 10 minutes…
One way to create 100,000 beats in less than 10 minutes can be found at Beats365. Beats365 is a website where creative producers can go to find 100,000 high quality, royalty-free beats that span over 39 musical genres. How long would it take you to produce and archive 100,000 beats? Longer than 10 minutes
The best part about beats365 is that you can have unlimited access to all of these beats for a one time fee that is under $30.
Think about how much time it would take you to create 100,000 beats. Think about how much time it takes you to make $30. Think of how much it would hurt you to lose a hit track because you didn’t have the right beat to lay the idea down.
That one idea could be your big break.
I would highly recommend beats365 to any producer who needs beats fast to get a project started. Remember, a good idea in the heat of the moment is priceless. Don’t lose a hit-making idea just because you are too cheap to have a library of beats on hand. Make sure you have the right tools on hand to capture that idea.
I know you’ll make the right choice.
Guerilla Producer, Jack Jones GuerillaProducer.com

Portable digital media player devices attract more consumers all the time with features that have some definite advantages over smart phones. While many people wouldn’t be caught without their smart phones, other people are realizing how smart it is to go with portable players. From the latest MP4 MP3 video player to an Internet tablet, people are rethinking their portable investments, which can not only save a bundle of money, but also provide a far more satisfying multimedia experience.

It Costs Nothing to Run a Portable Media Player

Portable media players cost nothing to run, but smart phones can get expensive. Smart phones lock users in to long-term service contracts with monthly billings that can add up quickly, even for the most basic data service plans, which can then restrict users from certain Internet access and communications.

Many people are learning that for one flat upfront cost, they can have free unlimited access to the technology and possibilities of a media player. Portable players make it possible with Wifi technology to access the internet and email—and even to access internet phone services with the use of add-ons. The best portable media players not only provide access to the internet, but to countless applications and ample storage for every kind of movie, video and entertainment across the world.

Larger Screen Sizes Look Better in Your Hand

Portable media devices have evolved and people are discovering they can have a larger screen on the go, with the same lightweight convenience of a smart phone. An Internet tablet still remains small enough for a purse or pocket, but large enough to make a movie pop, with 5” or 7” of screen space. The sleeker, lighter designs of portable players make entertainment a bigger and richer experience in the palm of a person’s hand.

Superior Movie and Video Quality

Portable media players are designed to show cutting edge quality of entertainment with high efficiency. A current model MP3 video player can have high-resolution for stunning details and the most vibrant colors. Many portable players have operating systems and processors as powerful as PC desktops to run videos and movies with speed and dependability that a smart phone can’t match. Crystal clear displays on wide-angle screens are radical improvements from the standard smart phone interface.

More people are experiencing the advantages of trading in their smart phone for a portable digital media player.

Susan Slobac is a consultant in the personal media device industry. Susan writes about trends in portable digital media player & mp4 mp3 player.